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Banaras besides being
a holy place also has the distinction of being a world famous center
of hand-made textiles. The ancient traditions of weaving is more
preserved in Banaras than anywhere else. The main products are Zari
and brocades.
Brocades are textiles
woven
with warp & weft threads of different colors and often of different
materials . The brocades are woven in silk with profuse use of metal
threads in ‘pallars’ (endpieces) and the field of the sari.
The weavers are
mainly Muslim and are known as ‘karigars’ which means ‘artist’. The
brocades are woven in workshops known as ‘karkhanas’.
The zari thread known
as ‘kalabuttum’, consists of finely drawn gold, silver or base metal
threads wound round as silk thread. Silk traditionally came from
Bengal, Central Asia and Italy but now it comes from either Malda, in
Bengal or from Kashmir or Japan.
In Banaras the chief varieties of silk used are –
-
Jandhuri
-
Banaks
-
Mukta
-
Sandal
These textiles have
been woven by teams of weavers and assistants using traditional naksha
dran looms. Traditionally the design of the brocade was done on paper
first. Then the naksha bandha rendered the design onto cotton threads
on a naksha, or ceiling mounted thread device.
The nakshabands of
Varanasi were so skilled that they tied the designs for the weavers of
other brocading centers such as Surat in Gujarat and Chanderi in MP.
Now designs used are inspired by folk art of Assam, Bengal, Gujarat,
and adaptation of Mughal, Rajasthani and Pahari paintings.
Kimkhabs, one of the
best known Varanasi brocades, have more Zari work visible than Silk.
They were very popular in the Mughal court. They were woven with
coarse but durable silk called Mukta. It is heavy enough to take
brocading with gold and silver thread. These heavy Kimkhabs were
designed for furnishings rather than clothes. Other Zari brocade types
were Potthan, and batt-hana or batta. They are of silk showing through
Amru brocades have no Zari and are woven entirely in Silk.
Tanchoi brocades have
multiple warp and supplementary weft threads fabric. Abramamn (flowing
water) has a distinct transparency and delicately woven supplementary
thread patters printed. Tarbana, has a fine silk warp but a weft of
Zari threads that give the brocade a metallic sheen.
The deep red ,golden
zari saris are popular with nearly all Indian brides. The design
motifs of these brocades are intricate floral and foliage patterns,
kalga and bel, and in sari pallars and dupattas a string of upright
leaves called jhalar.
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