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The
delicate
art of embroidery traditionally practiced in the city of Lucknow and
it’s environs is known as ‘Chikankari’. The name ‘chikan’ seems to
have been derived from the Persian word, either ‘Chikan’, ‘Chikin’ or
‘Chikeen’. It means a kind of cloth wrought with needle–work. Although
it originated as a court craft, today it is a practiced tradition and
an important commercial activity.
Chikan work has a
very light, gossamer – like quality. This makes it very suitable for
the seemingly hot climate of the northern plain region. It can be
assumed that Chikankari, using sheer fabrics evolved as a logical
answer to the problem of keeping cool and also providing adornment and
beauty to one’s person or in the surroundings.
The light chikan
saris are perfect for summer wear. Men prefer to wear their chikan
kurtas during summer evenings.
There is a popular
legend that a courtesan in t he
Nawab of Avadh’s harem was a master. He was so impressed by the work,
that he started a workshop where this style of embroidery would be
developed further. The Nawab were the setters of fashion. The other
humbler nobles and Zamindars would imitate them in every way.
Chikankari thus
received great impetus during the Nawabi period. The finely
embroidered muslin came to be closely identified with the Nawabi
culture and became an intrinsic part of it. The Chikankari tradition
gradually filtered down the masses of common people and became a part
of their daily life.
The source of most
design motifs in Chikankari is Mughal. These motifs can also be seen
in the ornamentation of Mughal buildings like the Taj Mahal and the
monuments of Fatehpur Sikri.
There are various
stitches used in Chikankari. They vary according to the kind of
designs and materials used. The most frequently used stitch is the
satin stitch. This is a very delicate and minute stitch.
Other stitches like
the darning stitch, stem stitch, chain stitch etc. are also used. All
these stitches are sometimes used individually but more often in
combination of two or more together to fill the whole motif. There are
minute variations on these basic stitches and much manipulation in
terms of shape and size.
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